Chris Siddall Music Publishing
Elmer Bernstein's "TO KILL A MOCKINGBIRD" in Full Score
Elmer Bernstein's "TO KILL A MOCKINGBIRD" in Full Score
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Accompanying the film adaptation of Harper Lee’s seminal novel, Elmer Bernstein’s delicate and sensitive score from To Kill a Mockingbird was Oscar-nominated, losing out to Maurice Jarre’s Lawrence of Arabia.
In 2003, the American Film Institute named Atticus Finch, the story’s main character, the greatest movie hero of the 20th century and in 2007 ranked the film 25th on their list of the greatest movies of all time.
Heard right from the outset of the score, the beautiful piano solo was played by a man who has become known as one of the greatest film score composers of all time; John Williams.
137 pages, 9x12 inches. Paperbound, printed in the U.K.
Note: Shipped from the UK. Please check with your country for import tax before ordering. This charge will be in addition to the item cost and shipping cost and varies by country.
Contents
1A Main Title
1B-2A The Meanest Man
2B Mrs. Dubose
2C Remembering Mama
2D-3A Atticus Accepts the Case (Unused)
3B Roll in the Tire
3C Peeping Dill
3D Creepy Caper
3E-4A Peek-a-Boo
4B Back to Boo's
4C Safe at Home
5A A Compromise
5B Crack Shot (Unused)
2D-3A Atticus Accepts the Case (Revised)
5C Ewell's Hatred
6A Jem's Discovery
6B Tree Treasure (Album Version)
6B Tree Treasure (Film Version)
7A Lynch Mob
7B After the Storm (Unused)
10A-11A The Jury is Out!
11B Guilty Verdict, Pts. 1&2
11C-12A Ewell Regret It
12B School Play
12C Footsteps in the Dark, Pt.1
12CC Footsteps in the Dark, Pt.2 (Unused)
12D Assault in the Shadows
13A Boo Who?
13B End Title
-- To Kill a Mockingbird (Song Lyrics) (Unused)
Foreword by Peter Bernstein
Thematic & Cue Analysis by Dr. Erik Heine & Jane Heidkamp
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What a wonderful treat after all these years to finally have such a pristine, accurate, comprehensive score of this beloved classic! Thank you Chris, we are all in your debt! -Charles Bernstein
Beautifully engraved score.
I love this score and the score book was top notch as always
Great Score! and also well done 👍 keep up the good work 💪
I had studied excerpts from this score in Andy Hill's book "Scoring the Screen", and I saw that ASMAC was having Chris as a guest to review the score in July, so I wanted to have the score for the workshop. The score is the expected high quality of all the other scores that I own from Chris and the music is so understated, but perfect for the themes of the movie. My only complaint, and I know there is no solution, but it is challenging to listen to and follow the score with audio, as the titles are different and they occur in a different order on the soundtrack. This is common for all of these scores I know, but it makes for a challenge.
Hi Art, thanks so much for taking the time to leave your review. Good news! You can follow the score in book order on the playlist link below. I've used the 1963 recording as much as possible (it's not the whole score), 1991 re-recording for other gaps, and the Noteperformer playback from my notation files for all remaining cues to achieve a complete playlist. Note, whilst the cue order in my books isn't always the same as the commercial OST release, it's usually in film order, which is useful for reading along with the picture!
https://www.youtube.com/playlist?list=PL2XL1LU1Am0iaVeNNaep27bLQTtEQU18J