Chris Siddall Music Publishing
MAIN TITLE from Tora! Tora! Tora! - Jerry Goldsmith (Score Only) **DIGITAL DOWNLOAD**
MAIN TITLE from Tora! Tora! Tora! - Jerry Goldsmith (Score Only) **DIGITAL DOWNLOAD**
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Full Orchestra - Advanced Intermediate - Digital Download
By Jerry Goldsmith. Score. 11 pages. Published by Chris Siddall Music Publishing.
1970 was a very big year for composer Jerry Goldsmith: amazingly, in addition to Tora! Tora! Tora! and Patton, he also scored The Ballad of Cable Hogue, The Travelling Executioner and Rio Lobo, throwing a couple of TV movies in for good measure. All in a day’s work for this extraordinary maestro, who had already proven his mettle writing music for films akin to Tora! in both genre and theme: In Harm’s Way (1965), The Blue Max (1966) and The Sand Pebbles (1966) are all incisive studies of war and its attendant damage, scored with a combination of disturbing dissonance and sheer splendour.
The Main Title opens with a descending whine suggesting the deadly dive of a bomber. This instant summing-up of the horrors to come, bizarrely disorientating, segues into a spare and elegant Japanese-style motif initiated by the koto, gradually taken up by the ominous sound of the serpent, and eventually joined by the full orchestra, deployed for maximum exoticism - and threat. The conspicuous absence of violins from the score was apparently the result of a challenge from Goldsmith’s friend and fellow composer Alex North. The staggered rhythmic movement heard in the main title is a technique used to represent the concept of miscommunication in the film.
Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
PURCHASE/DOWNLOAD HERE ---> Tora Tora Tora - Score Only by Jerry Goldsmith - Full Orchestra - Late Intermediate Digital Sheet Music | Sheet Music Plus
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Finally, a transposing score! What more can I say but “Please continue!”
Thanks Eric. Actually, most of the 'conductor' format scores which I've produced in recent years have been transposing. Only the 'in Full Score' study score books are (and will continue to be' in concert score form, since this makes them easier to analyse the harmony for a wider audience.
Chris' work is always stellar. Clean, aesthetically appealing and accurate.